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Pat H
Приєднався 28 чер 2010
Big Chief Tootie Montana
Allison "Tootie" Montana was born December 16, 1922, in New Orleans, Louisiana. His father, Alfred Montana, was a baker. He served as Big Chief of the Yellow Pocahontas Mardi Gras Indian tribe from the 1920s until 1941,when World War II forced the cancellation of the carnival. After the war, Tootie began masking with the Eighth Ward Hunters, and in 1947 he became Big Chief of the Monogram Hunters, a tribe he founded with some friends. In 1956, Montana married Joyce Francis, who never masked herself, but who has helped Tootie make his costumes, which might cost several hundred, and even thousands, of dollars to make. arts.gov/honors/heritage/fellows/allison-tootie-montana?id=1987_10&type=bio
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Відео
BLUE NEON
Переглядів 7394 роки тому
Diamond - keyboard Phil Mullen - guitar, flute, vocals Billy Black - drums
Donny Gerrard - Then You Can Tell Me Goodbye
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From the 1999 cd "The Romantic": Donny Gerrard - vocals; Steve Gadd - drums; Ralph Ortiz - bass; Casey Fillaci - piano; Bill Reichenbach, Jerry Hey, Gary Grant, Dan Higgins - horns.
James Booker - I'm Not Sayin' (Booker)
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Recorded 1982 in New Orleans: James Booker - piano; James Singleton - bass; Johnny Vidacovich - drums
Tipitina - Allen Toussaint and Jon Cleary
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From the 2005 "Make it Funky" documentary. Allen Toussaint and Jon Cleary perform Tipitina. amzn.com/B000AA4JMA
Just Squeeze Me (But Please Don't Tease Me)
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Lucien Barbarin and the Palm Court Swingsters from the 2000 Jazz at the Palm Court Vol. 3 - "Little Becomes Much" - Lucien Barbarin (trombone & vocals), Dwayne Burns (trumpet), Tom Fischer (clarinet), Ricky Monie (piano). Ernie Elly (drums), Mark Brooks (bass), Thais Clark (vocal), Steve Blailock (guitar)
John & Lillian Boutté - Hot Time in the Old Town Tonight
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From the cd Jambalaya: amzn.com/B001KT374Q
Detour Ahead - Live at Chan's
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From "The Song is You" cd recorded October, 1999 with Pat Loncar (vocals), Diamond Centofanti (piano), Greg Abate (alto sax), Marshall Wood (bass) and Gary Johnson (drums)
Gian Smith
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Gian Smith closes the panel discussion about the "Art of Treme" held at Tulane University with "You Betta Ask Somebody."
Southern Nights - Allen Toussaint
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From the documentary "Make It Funky," Allen Toussaint talks about the inspiration for composing "Southern Nights."
Port Street Blues - Jon Cleary & the Absolute Monster Gentlemen
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A Jon Cleary composition from the live cd, Mo Hippa: amzn.com/B001CR49RA Jon Cleary - piano & vocals Derwin "Big D" Perkins - guitar Cornell C. Williams - bass Eddie Christmas - drums
Dr. John - Litanie des Saints
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Dr. John's Litanie des Saints from his cd "Goin' Back to New Orleans" with my pictures from a recent trip. "Goin' Back to New Orleans" recorded in 1992 was the first album he actually recorded in New Orleans. Dr. John writes in the liner notes: "This is loosely based on a work by Louis Moreau Gottschalk from sometime around 1850. Gottschalk was a music prodigy from New Orleans, the first classi...
Afro-Cuban Jazz - NYC
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"From its birth in New Orleans to its heyday in New York, Jazz has been deeply influenced by Latino musicians, especially those playing Afro-Cuban rhythms. It's impossible to imagine Jazz without this Latin influence, or as Jazz great Jelly Roll Morton called it, the "Spanish tinge". Latin Jazz emerged as a separate genre in the New York clubs of the 1940s, where orchestras like Machito & His A...
Jesús Andujar - Como Mi Ritmo No Hay Dos
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Jesús Andujar - Como Mi Ritmo No Hay Dos
Ella Fitzgerald & Joe Pass - Once in a While
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Ella Fitzgerald & Joe Pass - Once in a While
A Puerto Padre - Tributo a Emiliano Salvador
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A Puerto Padre - Tributo a Emiliano Salvador
Salseando - Tributo a Emiliano Salvador
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Salseando - Tributo a Emiliano Salvador
Anybody's Spring - Pat Loncar & Diamond
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Anybody's Spring - Pat Loncar & Diamond
Jon Cleary - History of New Orleans Piano
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Jon Cleary - History of New Orleans Piano
Lazy Afternoon - Pat Loncar & Diamond
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Lazy Afternoon - Pat Loncar & Diamond
Man, so good. Had to list up all the styles he covers: Shuffle Blues, 12/8 groove, New Orleans Rhumba, Habanera (The Crave), Good time New Orleans Jazz (Dixieland), Slow Blues, New Orleans Boogie Woogie, New Orleans Funk, Gospel, Jump, PRofessor Longhair (Not sure how people would describe this one?), James Booker Stride Style, Huey Smith, Four And Second Line
he's talking to Elvis Costello. Interesting interview.
1962! He was a kid! Yet he did this????????
LOL. Every single video of a famous jazz pianist giving a talk and playing has them using either a Bosendorfer or a Fazioli.
4:40 my favorite part :D
I can't give you but my love, Hancock!
Explanation ends at 3:53
"Mongo" Santamaría (April 7, 1917 - February 1, 2003) was a rumba quinto master and an Afro-Cuban Latin jazz percussionist. He was an integral figure in the fusion of Afro-Cuban rhythms with R&B and soul, paving the way for the boogaloo era of the late 1960s. His 1963 hit rendition of Herbie Hancock's "Watermelon Man" (recorded on December 17, 1962) was inducted into the Grammy Hall of Fame in 1998.
i love these creative stories
Herbie was a great jazz pianist at an early age. I believe he was playing with Miles as a teenager! With all due respect to Herbie, his rap here is very problematic. I like his back story of how Watermelon Man came about, but I'm reluctant to believe any of it. The most likely scenario is that Herbie was practicing piano one day. Playing around. Improvising. And his fingers hit up a lick and it caught his ear. This happens frequently to musicians. Call it a happy accident. Call it a bonus for all the hours and study that preceded it. Herbie hits on a lick and plays with it, develops it. It has no name. It's just a riff that he digs and it's his own. Over time he shapes it into a composition of five or six minutes. He thinks about it and finally he gives it a name: Watermelon Man. Likewise his rap here is contrived and worked out. As I said I like it but I don't believe it. I like Herbie and I like Watermelon Man but not his shtick.
man first conguero i ever heard mongo still influenced me today herbie ur right
this is awesome
Can anyone give me an example of a tune that uses that 12/8 groove he was talking about?
"Blueberry Hill" by Fats Domino.
It is just a real artistic experience to listen to a composer perform his music. This guy is just fantastic...was early in his career and he just keeps getting better all the time!
Dude is in his 70s and he doesn't look a day over 45
Happy Birthday, Herbie Hancock!
who else is here because of school
What kind of song you play at 2.50?
pura belleza
I know he got a million story on the circuit with Miles Davis
The sweet sounds of New Orleans, love it!
I want to know how Spank-a-Lee was composed, and Paul Jackson's role in the composing process
J' a d o r e !!!!
Man I love this so much👌
super wersja !!!
Chicago, IL struggles has produced so many greats
aRREGLOS GORDOS
one of the greatest. musicians I can think of
written in the year I was born !!
Comienza a los 03:50 8-)
I wonder if him and Carlos Santana did any colaborations?
Looks like they've collaborated a lot over the years. Here's a good one: ua-cam.com/video/_9AWL3is7Hs/v-deo.html
Chano Pozo and Dizzy Gillespie were before ua-cam.com/video/IMipw5NWSZk/v-deo.html
Beautiful guitarplaying!
I sho loves me some watermelon, man. The second version was sho nuff funky stuff.
1962 is what I like.....cool!!!!
Geweldig dit👌
Superbe
eric Herbomel superbie
JAZZ-GUAJIRA. Wow master Herbie!
Jelly Roll, and his "Spanish tinge", as he called it.
Los videos q suben lo muestran haciendo sólo repiques y artificios sonoros con las uñas. Brillan por su ausencia los tumbaos o construcciones rítmicas mas elaboradas. Si se trata de una rutina para trabajar repiques y manos es válido está bien. Si lo pretendido es sólo instrumental es monótono y francamente pobre. Lo q hace con las uñas no es agradable........ No me gusta.
Always off the charts!
Met the man twice in Bombay! A true giant. Gentle and cool.
I find the History of Caribbean music fascinating. Cuban, Dominican and Puerto rican have their own unique style but all of it is Caribbean music. I am shocked they never put together a Caribbean Music Festival to celebrate their own music from the islands. I am sure it would have been a big success. Especially in New York City the First annual Caribbean music festival where it all started would have been a big thing. Celebrating Afro Cuban Jazz, Rumba, Mambo and Puerto rican Bomba y Plena and Dominican Meringue and Bachata. I mean this is Afro Caribbean music at its best.
greatest teacher I ever had !!
my man !!!!!
I love him Herbie Hancock
Great tune, wonderful story and superbly talented musician who never seems to age! This is tremendous...thanks for posting!
Maravilloso. Me encanta.
BEST EVER
This spirit still strives in Miami.